Through constant exploration, research, experimentation and positive attitude towards reinvigoration, emerging from his incessant research on the qualities of the materials, the expression and the abstract relation among shape, space, light and movement, he eventually created and developed a work in which the viewer discovers the expression of an inner soul power and discipline.

With a well-structured evolving language based on the fine game of contradictions, such as stability – movement, denseness – abstraction, light – shadow, his sculptures immediately communicate the subjects he engages with.

His works eloquently articulate the morphoplastic values of the artist, while a basic step for their composition is the formation of the sculpting parts, interpreted in elaborating curved shapes and plain minimal forms, and using light constructions in their components, thus provoking the idiomorphic impression of movement characterizing his syntheses.

His sculptures develop freely in horizontal or vertical axes, sometimes dividing the space and other times embracing it with the warmth of the style of the wooden mass, adding to his sculpture compositions an ethereal value combined at the same time with high intenseness. With the succession of massive volumes and vacuums they obtain a unique spatial interest.

Undoubtedly, eloquent representations of such quality turn his effort to discover the existence of the human body into an extension of the effort to discover the human nature itself.

Maria Kenanidou

Art Critic

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